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Sample: Pages 2-6 of scoreSee details ➔
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The title of this piece was taken from the end of James Joyce’s Ulysses, inspired by the text’s rhythmic continuity and exuberance. It is designed to turn the piano into a kind-of deranged machine, flirting with total pandemonium.
Commissioned by New York’s Continuum ensemble
for Joel Sachs and Cheryl Seltzer